Ultime partenze per il pianeta di Utopia: il dirottamento
dell’astronave non funzionò poi così bene…e allora un paio di pezzi per tentare
di scuotere per l’ultima volta le torpide coscienze d’Amerika, già paghe di
qualche disordine universitario che non ebbe la costanza per diventare veramente
nuova società.
Le apocalissi di When the Earth Moves Again, con il violino languente
di Papa John Creach, la ritmica marziale e il basso veramente tellurico di
Casady profetizzano un futuro incerto, salvato dai bambini un po’ come accade
in The Big One's Still Coming dei Blak
Oak; il cantato corale e appassionato riporta l’orologio indietro a Volunteers,
ma la terra sotto i piedi del complesso stava veramente collassando e
l’abbandono di Balin troncò ogni idea di rinascita.
“If you've only lived on earth you've never seen the sun
or the promise of a thousand other suns that glow beyond here
and if you care to see the future look into the eyes
of your young dancing children don't be afraid of our ways
when the earth moves again”
Un paio d’anni dopo, Sketches Of China: una liturgia orientaleggiante
e allegorica aperta dal gong di Mickey Hart, sostenuta dal mellotron di
Freiberg e impreziosita dall’ultimo supremo assolo di Garcia, dorato come il
sole al tramonto sulla Route 101 verso Sausalito. Un bridge nervoso e un lungo
finale quasi gospel in lenta dissolvenza. Un tramonto.
Gli ultimi sussulti del vecchio triplano psichedelico che andava
trasformandosi in astronave da classifica e dance-floor.
“And there was a warlord who rode the murky
depths of China
With a shotgun in his hand and he wondered
where the people'd gone to
Have you got the time to listen while i sing
this song
I had the time to listen to the man go right and
wrong and right thru
China”
Last departures for
the planet Utopia: the hijacking of the starship did not work so well ... and
then a couple of songs to try to shaking for the last time the torpid Amerika’s consciences, already satisfied of
some college riot who has not had the consistency to become a truly new
society.
The apocalypse of
When the Earth Moves Again, with the languishing violin by Papa John Creach,
the martial rhythmic and the really telluric
Casady’s bass, prophesy an uncertain future, saved by the children like
in The Big One's Still Coming of Blak Oak;
the choral and enthusiastic vocal line turn the clock back to
Volunteers, but the ground beneath the feet of the band was actually
collapsing, and Balin’s abandonment
severed any idea of rebirth.
A couple of years
later, Sketches Of China: an oriental and allegorical liturgy opend by Mickey Hart’s gong, supported by Freiberg’s
mellotron and embellished by the last upreme solo of Jerry Garcia, golden as
the sun setting on Route 101 toward Sausalito. A nervous bridge and a long,
almost gospel ending in slow fade. A
sunset. The last gasps of the
old psychedelic triplane, that was transformed into the charts &
dance-floor spaceship.
When the Earth Moves Again
Bark - 1971
Sketches of China
Baron Von Tollbooth & The Chrome Nun - 1973
The best ’60 rock,
with the best psychedelic animation, brought to you by The Evil Monkey’s Record
Photo source: http://i12bent.tumblr.com/post/3925855564/paul-kantner-grace-slick-and-jerry-garcia-are
Paul Kantner, Grace
Slick & David Freiberg – Baron Von Tollbooth & The Chrome Nun - Grunt
Records - BXL1-0148 – US - 1973
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